Tadao Ando (born September thirteen, 1941), a Japanese self-taught architect whose approach to design and landscape was classified by field historiographer Francesco Dal Co as “critical regionalism”. Ando was born a number of minutes before his twin brother in 1941 in the metropolis, Japan. However, at the age of 2, his family selected to separate them, and have Tadao stick out his grandparent.

Early Life of Tadao Ando

He worked as a teamster and boxer before deciding on the profession of architect, despite ne’er having formal coaching within the field. Struck by the Frank Lloyd Wright-designed Imperial building on a visit to the Japanese capital as an intermediate high school student, he eventually set to finish his boxing career but 2 years once graduating from high school to pursue architecture. Moreover, he attended night coaching to find out drawing and took correspondence courses on interior style. He visited buildings designed by noted architects like Le Corbusier, Ludwig Mies Van der Rohe, Frank Lloyd Wright, and gladiator designers before returning to a metropolis in 1968 to ascertain his own style studio, Ando Architects and Associates. In 1995, Ando won the Pritzker Prize for design, thought-about the very best distinction within the field. He also given the $100,000 award to the orphans of the 1995 Kobe earthquake.

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Characteristics Features

Ando was raised in Japan wherever the faith and magnificence of life powerfully influenced his architecture and design. Moreover, Ando’s type of architecture is claimed to make a “haiku” result, accenting nothingness and an empty area to represent the sweetness of simplicity. He favors coming up with complicated spatial circulation whereas maintaining the looks of simplicity. A self-taught designer, he keeps his Japanese culture and language in mind whereas he travels around Europe for analysis. As an architect, he believes that design will modification society, that “to modification, the living accommodations is to alter the town and to reform society”. “Reform society” may well be a promotion of an area or a modification of the identity of that place. per Werner Blaser, “Good buildings by Ando produce unforgettable identity and thus promotional material, that successively attracts the general public and promotes market penetration”.

Concepts of Tadao Ando

The simplicity of his design emphasizes the concept of sensation and physical experiences, within the main influence by the Japanese culture. The spiritual term Zen focuses on the conception of simplicity and concentrates on inner feeling instead of outward look. Zen influences vividly show in Ando’s work and have become its distinctive mark. so as to observe the concept of simplicity, Ando’s design is usually made with concrete, providing a way of cleanliness and weight at constant time. because of the simplicity of the outside, construction, and organization of the area unit comparatively potential so as to represent the aesthetic of sensation. Besides Japanese spiritual design, Ando has conjointly designed Christian churches, like the Church of the sunshine (1989) and therefore the Church in Tarumi (1993).

Relation to Japanese Architecture

Although Japanese and Christian churches show distinct characteristics, Ando treats them in an exceedingly similar approach. However, he believes there ought to be no distinction in coming up with spiritual design and homes. However, he explains, “We do not need to differentiate one from the other. Dwelling in a house is not only a functional issue but also a spiritual one. Also, the house is the locus of mind and the mind is the locus of god. Dwelling in a house is a search for the mind as the locus of god, just as one goes to church to search for god. Also, an important role of the church is to enhance this sense of the spiritual. In a spiritual place, people find peace in their mind, as in their homeland.”

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Believe of Tadao Ando

Besides speaking of the spirit of design, Ando conjointly emphasizes the association between nature and design. Also, he intends for individuals to simply expertise the spirit and sweetness of nature through design. In addition, he believes design is liable for playacting the angle of the positioning and makes it visible. This not solely represents his theory of the role of design in society however conjointly shows why he spends most time finding out design from physical expertise.

Style

• Thought-about a patron of artistic movement however doesn’t compromise with the look
• Pure area swallowed in concrete rectangular kinds – pure area and straightforward form
• The column has become simply an emblem that addresses culture and history
• In-depth use of Concrete and enclose the pure kind
• Interior of the building area unit the shape itself, ridicules the concept of masking it
• Simplified, one-dimensional forms and vacant, naked concrete walls that outline the areas inside
• Style- part of sunshine, Water through concrete and glass

Philosophy of Tadao Ando

• “In all my works, light is an important controlling factor.”
• “I create enclosed spaces mainly by means of thick concrete walls.”
• “When the external factors of a city’s environment require the wall to be without openings, the interior must be especially full and satisfying.”
• “I create architectural order on the basis of geometry squares, circles, triangles and rectangles.
• “I try to use forces in the area where I am building, to restore the unity between house and nature (light and wind).”

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List of his work

1. Church of light
2. Chichu art museum
3. Church on the water Hokkaido
4. Azuma house
5. Koshino house, ashiyajapan
6. Nariwa museum of art Museum
7. Rokko housing
8. Naoshima contemporary art Museum, naoshima, japan
9. International library of Children’s literature (2002)
10. Nagaragawa convention Center

Some works of Tadao Ando

The Church of Light

The Church of light is located in  Ibaraki that is outside the sprawling metropolis of Osaka, Japan. By very putting stress on the wall and its significance of the individual very contrasts and afflict several ideas of up-to-dateness in design since the 1920s. To Ando, the concrete walls play into his ideas the design ought to confront nature.

Rokko Housing, Japan

The site was at a slope of sixty degrees, at the sting of the Rokko Mountains in Kobe. However, the concept was making and strengthening the connection between natural, public, and personal areas. Also, the first-phase advanced may be a 3D grid with twenty units that step back on the slope, mistreatment the roofs of lower levels as terraces.

Japanese Pavilion for EXPO 92

Moreover, the pavilion aimed to acquaint individuals within the remainder of the planet with the standard aesthetics of Japan supported unornamented simplicity, by reinterpreting wood design with leading-edge modern technology and make a building that embodied tradition and up-to-dateness, technology and culture.

Koshino House, Japan

The Koshino house designed by the architect consists of two parallel rectangular concrete boxes connected by a tunnel below the outside stairs. The boldness of arced study space was a later addition any complementing the area.

Awards

Ando has received varied design awards, including the prestigious. For Example,

• Alvar Aalto Medal- 1985
• Pritzker Architecture Prize- 1995 (Church Of Light, Ibaraki, Osaka, Japan)
• Royal Gold Medal- 1997
• AIA Gold Medal- 2002
• International Union Of Architects Gold Medal- 2005
• James Beard Award for Outstanding Restaurant Design- 2008 (Morimoto, New York, United States)

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